![]() The streamlined VST workstation lets you load and play a plethora of sound content: the SE libraries shipping with Steinberg's digital audio workstations. On the MIDI front there’s a new MIDI Player and Drum Player both of which can be edited and triggered remotely with a Trigger Pad and the FlexPhraser has a new user mode with faders for setting velocity and pitch in up to 32 steps, plus two controller lanes for filters and effects. HALion Sonic SE 3 is a stripped-down version of HALion Sonic 3 without giving up on sound quality and accessibility. And combined with the VST Expression technology in Cubase 5, HALion 3.5 really comes into its own, using all those articulations at once with a radically smoother workflow without worrying about the traditional 32-Bit RAM constraints. That said, most DAWs provide decent audio editing, especially Cubase 7, which integrates very well with HALion 5. Sample manipulation remains excellent, of course, but destructive editing facilities are still missing, which means using an offline external editor such as WaveLab. ![]() It’s well implemented with two detection modes (transient and grid) manual marking and a selection of filters. Loop slicing was notably absent in version 4 and we’re pleased to see the inclusion of this vital production tool in version 5, bringing it in line with Kontakt and Mach Five. In the dark twilight, they work as expected, but stand still, that is, HALion, even the clock arrow does n. Both offer new sound creation possibilities, perhaps the most useful from a sound designer’s point of view being the sophisticated grain oscillator section. In GM mode, the blades are seen and the focus is seen moving, but the blades are in place. More Power Two new sound engines have been added to the existing combination of analogue synthesis with sampling granular synthesis and an authentic tone-wheel organ simulation.
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